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Hema Upadhyayat Chemould Prescott Road / Mumbai
usually in reference to artistic practices that draw from a range of outside disciplines or creative realms
Olivian Cha examines the transitional paintings of Sadie Benning
“The obsolescence of the social and political milieu that incubated Pettibon’s snide and violent comics of sexual anxiety and juvenile delinquency facilitates the transfiguration of the drawings into happily deracinated luxury commodities
In a time marked by instability and psychic dissonance
#311 November – December 2016 merchandising Hema Upadhyayat Chemould Prescott RoadThis issue explores the interfaces between clubs, clubbing culture and creative communities. The issue is built on two mirroring trajectories. The first addresses club nights, which since the early 2000s have served as backdrops for some of the worlds most vibrant urban scenes: Asian Dope Boys in Beijing and Shanghai (by Milia Xin Bi); Bliss in Vienna (by Natalie Brunner); Clara 3000 in Paris (by Daniele Balice); Dudesweet in Bangkok (by Onsiri
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