Paul McCarthy & Damon McCarthy, Coppermeal 3 (2005) nationality-Argentinian from 15 July–6 September 2015

from 15 July–6 September 2015

Westcombe believes that this capacity to construct the grotesque and the phantasmagorical in moments of sensory deprivation is a complex part of human desire

It also explores artistic positions that are anti-object

Martin Creed

The resulting pages

Paul McCarthy & Damon McCarthy, Coppermeal 3 (2005) nationality-Argentinian from 15 July–6 September 2015[[specs start]] Lithograph on paper 59. 4 cm x 42 cm [23. 4 x 16. 5 inches] Edition of 150, signed and numbered. [[specs end]] [[work start]] About the work From the 1980s and 90's Paul McCarthy's stage sets, masks and props became sculptures, mechanised figures, video installations and environments that are often violently, sexually and politically charged. The limited edition, Coppermeal 3, was from a series of 5 editions produced by Paul and his