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The first collaboration between Japanese noise titan Masami Akita
their unique musical and aesthetic approach to everything they did set them far apart from their musical contemporaries
intermediary tracks that also manage to be the most aggressive on the record: “Kitana” (a scratch-laden instrumental that acts as a strange prelude for the last track
Chuck D’s baritone delivers unflinching truth
A '60s soul album that could actually have been made as an album
Kaitlyn Aurelia Smith - Gush IGGY POP The first collaboration between JapaneseKaitlyn Aurelia Smith is a classically trained American composer, performer, and producer from the Pacific Northwest. Her music is a form of auditory interpretation, powered by curiosity and her toolkit of modular, analog, and rare synthesizers (including her signature Buchla), orchestral textures, and voice. Since her first self releases in 2012 (Tides), she has explored the endless possibilities of electronic instruments and the relationship between
